Dec

2020

漁鄉(xiāng)客舍 | 千島湖金山坪村村落復建

Fishing Village Guest House | Qiandao LakeJinshanping Village Restoration

2020-12-01

【引言】

2022年亞運會將在我國的杭州舉辦，主會場在杭州，分會場在千島湖畔，而借這次機會，圍繞千島湖的亞運場館，將會有一系列的配套設施建設。其中，在亞運場館邊上的金山坪村，也將迎來一場復建，復建后它將賦予亞運村配套的商業(yè)與休閑功能，成為集餐飲、民宿、文創(chuàng)、藝術展示為一體的特色村落。

【Prologue】

The 2022 Asian Games will be held inHangzhou, China, the main venue in Hangzhou, while the sub-venue in the Qiandao lake. To seize thisopportunity, around the Qiandao Lake Asian Games venue, there will be a seriesof supporting facilities construction . Among them, Jinshanping Village near theAsian Games venue will also witness arestoration. After thereconstruction, it will be endowed with commercial and leisure functions andbecome a characteristic village integrating catering, home stay, cultural and creative idustrial ?as well as art exhibition.

說明: 00頭圖DJI_0934002

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說明: DJI_0857001

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【策略】

傳統(tǒng)村落的建造，首先應該在物理層面上推敲，修復與保護、回歸與拓展，重塑傳統(tǒng)聚落形態(tài)，構建鄉(xiāng)村風貌特色，其次，是在精神層面上努力發(fā)掘，思考與補充、延續(xù)與傳承，梳理出新鄉(xiāng)村文脈。

【Strategy】

The construction of traditional villagesshould, first of all, be deliberated on the physical level, restored andprotected, returned and expanded, reshaped the traditional settlement morphology, and constructed the rural

features and characteristics. Second, exploration should be conducted on the spiritual level, think and supplement, continue and inherit, andtease out the new rural context.

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說明: 20201124-魯能千島湖展示區(qū)（更新）_頁面_3

【村落肌理】

原有村落肌理中蘊藏著細膩豐富的生活痕跡，是建筑師無法企及的自然成就。我們讓復建后的“新村落”順應這樣的自然肌理，僅在局部根據(jù)現(xiàn)有規(guī)范及業(yè)主的要求進行微調整，做到“以自然為據(jù)，還原村痕跡”，再造一種“去建筑師”化的村落布局，使之顯得更加的自然。

【Village Texture】

The original village texture contains richtraces of life, which is a natural achievement beyond the architects. Thus we restored "new village" by conforming to such a natural texture, while only make some minor adjustments according to theexisting norms and requirements of the owners, so as to achieve the goal of"taking nature as the basis, restoring the traces of the village", and reconstruct a village layout without architects to make it more natural.

說明: 20201124-魯能千島湖展示區(qū)（更新）_頁面_1

說明: 20201124-魯能千島湖展示區(qū)（更新）_頁面_5

【空間流線】

村落原有道路是居民生活中自然形成的，這樣的路徑是先于房屋的一種存在，是最貼合自然的設計，而我們復建過程中以原有村落核心道路為依照，將其優(yōu)化整合，形成一條中心路徑，后續(xù)設計中各個核心空間節(jié)點，就在這樣的路徑中展開。

村落整體復建后的功能是以鄉(xiāng)村體驗為主的旅游配套，我們必須考慮到人流的組織集散，以及人們在這街巷中的空間感受，所以，將原有過分轉折與狹窄的空間進行調整，擴大一些空間作為人流聚散的節(jié)點。

【Spatialcirculation】

Original country road isnaturally formed in the residents' everyday life, such a path is a kind of existence before thehouse, is the most appropriate natural design. When we are in the process of reconstruction, ?the original village road is set asreference to in accordancewith, in themeantime, we optimizd and integrated it to formed a centerbackbone, each nodes of core spaces in thesubsequent design, are expandedfrom this path.

After theoverall reconstruction of the village, the main function of the village is to supporttourism based on rural experience. We must take into account the organizationand distribution of people and the spatial experience of people in the alley. Therefore, weadjusted the originalexcessive zigzag and narrowspace, and expand some space to serve as the node for people to gather anddisperse.

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說明: 一層平面圖20190508 拷貝+比例尺

【立面構成】

我們遵循原有村落固有的天際線，進行整合，形成我們立面的邊界。之后分析現(xiàn)狀中村落普遍的立面構成，雖是江南常見的粉墻黛瓦，但其也有經歲月洗禮過的美感，所以整體的立面風格，我們依舊選用了質感白墻，搭配深色木紋板進行局部點綴，同時屋面的小青瓦宛然如故，雖然這一種平淡無奇的手法，但我們知道，隨著時間的推移，粗糙的質感白墻會變得斑駁而具顆粒感，傳統(tǒng)的青瓦會長出青苔，木紋板色彩會氧化變暗，之后便回歸到原村落的立面風貌。

另外，由于村落功能由原有的居住屬性更新為公共屬性，而原有立面中較小的開窗無法滿足采光與經營的要求，于是我們在開窗設計上偏向于更現(xiàn)代的大面積開窗形式，同時減少其框架的劃分，外觀更干凈室內視野也更開闊。

【Fa?adeComposition】

We follow the skyline of the original villageand integrate it to form the profile of our elevation. After analyzing the common facade form of? theexisting village, although itwas ordinary Jiangnan architecture style, but aesthetic was etched on wihite walls and black tiles by years, so in terms of the overall facade style, we choose the white textured coating, ?partly collocate the wood grain steel plate for ornament, and keep the roofing of Chinese style tile as before,although these a prosaic gesture, but we know that, over time, the rough texture of white wall willbecome mottled and grainy, traditional tiles will grow moss, wood grain steel will darken oxide, which then gradually return to facade feature of the original village.?

In addition, since the function of thevillage is updated from the original residential property to the publicproperty, and the small windows in the original facade cannot meet therequirements of lighting and commercial management, therefore we preferd the modern larger windows, and at the same time reduced the division of frame, so that the appearance is cleaner and the indoorvision is broader.

說明: 20201124-魯能千島湖展示區(qū)（更新）_頁面_8

【單體設計】

更新后村落為一個旅游配套商業(yè)社區(qū)，功能豐富業(yè)態(tài)多樣，如前文所訴，我們遵照原村落建筑肌理進行單體設計，無論平面外輪廓還是空間進退關系，都遵照原村。內部功能則是在與業(yè)主充分溝通后的基礎上細心調理，既滿足各種經營的要求，又讓內部空間靈活豐富，還滿足當?shù)卣块T各個規(guī)定。另外一方面，從建筑學上的意義講，鄉(xiāng)村實踐可以避開工業(yè)化建設的一些手段，回歸建構，是對傳統(tǒng)構造與材料的一次學習，是對民間建造手法的一次思考和運用。

【IndividualDesign】

After the renovation, the village is atourism supporting business community with rich functions in diversified formats. As mentioned above, we design individual architecture in accordance with the original villagetexture, which conforms to the original village in terms of both the planeoutline and the spatial relationship. The internal function is carefullyadjusted on the basis of full communication with the owner, which not onlymeets the requirements of various operations, but also allows the internalspace to be flexible and diverse, and also meets the regulations of localgovernment departments. On the other hand, in the architectonic sense, rural practice can avoid some means ofindustrial construction and return to tectonic, which is astudy of traditional structures and materials and a reflection and applicationof indigenous construction methods.

說明: DSC04551

村落入口文創(chuàng)展廳 The Cultural and Creative Exhibition hall at the village entrance

我們采取了一個大膽的策略：整體保留房屋內部木質結構框架，在緊貼著這套體系設置外部建筑圍護系統(tǒng)，這套圍護系統(tǒng)使用無框玻璃。木結構成為一個巨大的永久展品，無框玻璃幕墻圍護結構是它的外殼，清晰可見其內部精致的建筑木構，同時玻璃幕墻的外輪廓有維持原建筑形態(tài)，保留村落入口的山墻形態(tài)。希望它能喚起人們的想象與回憶，成為新村落最為標志性的亮點。

We adopted a special strategy: to retain the wooden structure of the house as a whole, we set up the exteriorbuilding envelope ?with glass rib curtain wall. The wooden structure thus becomes ahuge permanent exhibit. The frameless glass curtain wall is its outer shell,and the delicate architectural timber structure inside is clearly visible.Meanwhile, the outer contour of the glass curtain wall maintains the originalarchitectural form and retains the gable form of the village entrance. We hope it can arouse people's imagination and memoryand become the most symbolic highlight of the new village.

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說明: DSC04195 拷貝

說明: 兩種不同材質立面的并置對比，左側為保留修復墻體，肌理感人，右側為施工中的耐候鋼板

做舊墻體 ?Antique Finish Wall

在村落中，有三棟單體我們進行了“原工藝”復建，“留其外觀，換其內核”，門楣的裝飾、水刷石的轉折，六邊形、酒瓶型花窗，門頭上的“凌云壯志”與“紫氣東來”還有“春風浩蕩”的題字，都得到了保留，而其內部采用全新的混凝土結構替換原有木質結構，保證建筑物的牢固與安全。而這三座保留立面的建筑后續(xù)作為藝術家工作室，傳承更多的鄉(xiāng)土氣息。

說明: DSC04214

In the village, there arethree individuals we conducted the"original technology" reconstruction, to achieve the goal of "Keep the appearance, change its core", the adornment of the bar, exposed aggregate base , hexagon bottle form window, the calligraphy on the head of door, have been retained, while its internal adopts new concrete structureto replace the original wooden one, ensure thesolid and security of building. The three buildings thatretain the facade will be used as artist studios to inherit more local atmosphere.

藝術中心 Art Center

在業(yè)主希望的功能中，有一項是集中的雕刻藝術展示的空間區(qū)，它不僅有建筑內部空間，還有一個室外的場地，滿足多維度的展示需求。由于建筑整體形態(tài)上我們不愿突破原村落的輪廓，所以我們在材質上下功夫，使用了干掛混凝土板，體現(xiàn)“鑿石”的效果，為了達到肌理的自然，采用純人工對混凝土板進行二次敲鑿，效果斐然。在白墻灰瓦的村落中，這樣一個混凝土雕鑿的形象將建立其更加獨特的地位，同時又可以打破村落建筑風格上的沉悶，提升辨識度，使游客的體驗感更豐富。

A sculpture art display space ?is one among the desired functions of the client, which notonly has the interior space of the building, but also has an outdoor site tomeet the multi-dimensional display requirements. As we were unwilling to breakthrough the outline of the original village in the overall form of thebuilding, we made great efforts in the material by utilizing the dry hanging concrete slab to reflect theeffect of "chiseling the stone". In order to achieve the naturaltexture, we used artificial chiseling on the concrete slab for the second processing, which achieved remarkable results. In thevillages with white walls and grey tiles, such a carved concrete image willestablish its unique identity, break the plain of the architectural style ofthe villages, improve the identification, and enrich the experience of tourists.

說明: DSC04276002